Wordsworth’s Prelude

                       Would that I could now
Recal what then I pictured to myself,
Of mitred Prelates, Lords in ermine clad,
The King, and the King’s Palace, and, not last,
Nor least, Heaven bless him! the renowned Lord Mayor:
Dreams not unlike to those which once begat in
A change of purpose in young Whittington,
When he, a friendless and a drooping boy,
Sate on a stone, and heard the bells speak out
Articulate music.

                       Would that I could now
Recal what then I pictured to myself,
Of mitred Prelates, Lords in ermine clad,
The King, and the King’s Palace, and, not last,
Nor least, Heaven bless him! the renowned Lord Mayor:
Dreams not unlike to those which once begat in
A change of purpose in young Whittington,
When he, a friendless and a drooping boy,
Sate on a stone, and heard the bells speak out
Articulate music.

(Tradition has Dick Whittington hearing the London bells from Highgate Hill.)

Vauxhall and Ranelagh! I then had heard
Of your green groves, and wilderness of lamps
Dimming the stars, and fireworks magical,
And gorgeous ladies, under splendid domes,
Floating in dance, or warbling high in air
The songs of spirits!

Vauxhall and Ranelagh! I then had heard
Of your green groves, and wilderness of lamps
Dimming the stars, and fireworks magical,
And gorgeous ladies, under splendid domes,
Floating in dance, or warbling high in air
The songs of spirits!

                             Nor had Fancy fed
With less delight upon that other class
Of marvels, broad-day wonders permanent:
The River proudly bridged; the dizzy top
And Whispering Gallery of St. Paul’s; the tombs
Of Westminster; the Giants of Guildhall;
Bedlam, and those carved maniacs at the gates,
Perpetually recumbent; Statues—man,
And the horse under him—in gilded pomp
Adorning flowery gardens, ’mid vast squares;
The Monument, and that Chamber of the Tower
Where England’s sovereigns sit in long array,
Their steeds bestriding,—every mimic shape
Cased in the gleaming mail the monarch wore,
Whether for gorgeous tournament addressed,
Or life or death upon the battle-field.

                             Nor had Fancy fed
With less delight upon that other class
Of marvels, broad-day wonders permanent:
The River proudly bridged; the dizzy top
And Whispering Gallery of St. Paul’s; the tombs
Of Westminster; the Giants of Guildhall;
Bedlam, and those carved maniacs at the gates,
Perpetually recumbent; Statues—man,
And the horse under him—in gilded pomp
Adorning flowery gardens, ’mid vast squares;
The Monument, and that Chamber of the Tower
Where England’s sovereigns sit in long array,
Their steeds bestriding,—every mimic shape
Cased in the gleaming mail the monarch wore,
Whether for gorgeous tournament addressed,
Or life or death upon the battle-field.

                             Nor had Fancy fed
With less delight upon that other class
Of marvels, broad-day wonders permanent:
The River proudly bridged; the dizzy top
And Whispering Gallery of St. Paul’s; the tombs
Of Westminster; the Giants of Guildhall;
Bedlam, and those carved maniacs at the gates,
Perpetually recumbent; Statues—man,
And the horse under him—in gilded pomp
Adorning flowery gardens, ’mid vast squares;
The Monument, and that Chamber of the Tower
Where England’s sovereigns sit in long array,
Their steeds bestriding,—every mimic shape
Cased in the gleaming mail the monarch wore,
Whether for gorgeous tournament addressed,
Or life or death upon the battle-field.

                             Nor had Fancy fed
With less delight upon that other class
Of marvels, broad-day wonders permanent:
The River proudly bridged; the dizzy top
And Whispering Gallery of St. Paul’s; the tombs
Of Westminster; the Giants of Guildhall;
Bedlam, and those carved maniacs at the gates,
Perpetually recumbent; Statues—man,
And the horse under him—in gilded pomp
Adorning flowery gardens, ’mid vast squares;
The Monument, and that Chamber of the Tower
Where England’s sovereigns sit in long array,
Their steeds bestriding,—every mimic shape
Cased in the gleaming mail the monarch wore,
Whether for gorgeous tournament addressed,
Or life or death upon the battle-field.

                             Nor had Fancy fed
With less delight upon that other class
Of marvels, broad-day wonders permanent:
The River proudly bridged; the dizzy top
And Whispering Gallery of St. Paul’s; the tombs
Of Westminster; the Giants of Guildhall;
Bedlam, and those carved maniacs at the gates,
Perpetually recumbent; Statues—man,
And the horse under him—in gilded pomp
Adorning flowery gardens, ’mid vast squares;
The Monument, and that Chamber of the Tower
Where England’s sovereigns sit in long array,
Their steeds bestriding,—every mimic shape
Cased in the gleaming mail the monarch wore,
Whether for gorgeous tournament addressed,
Or life or death upon the battle-field.

                             Nor had Fancy fed
With less delight upon that other class
Of marvels, broad-day wonders permanent:
The River proudly bridged; the dizzy top
And Whispering Gallery of St. Paul’s; the tombs
Of Westminster; the Giants of Guildhall;
Bedlam, and those carved maniacs at the gates,
Perpetually recumbent; Statues—man,
And the horse under him—in gilded pomp
Adorning flowery gardens, ’mid vast squares;
The Monument, and that Chamber of the Tower
Where England’s sovereigns sit in long array,
Their steeds bestriding,—every mimic shape
Cased in the gleaming mail the monarch wore,
Whether for gorgeous tournament addressed,
Or life or death upon the battle-field.

                             Nor had Fancy fed
With less delight upon that other class
Of marvels, broad-day wonders permanent:
The River proudly bridged; the dizzy top
And Whispering Gallery of St. Paul’s; the tombs
Of Westminster; the Giants of Guildhall;
Bedlam, and those carved maniacs at the gates,
Perpetually recumbent; Statues—man,
And the horse under him—in gilded pomp
Adorning flowery gardens, ’mid vast squares;
The Monument, and that Chamber of the Tower
Where England’s sovereigns sit in long array,
Their steeds bestriding,—every mimic shape
Cased in the gleaming mail the monarch wore,
Whether for gorgeous tournament addressed,
Or life or death upon the battle-field.

                             Nor had Fancy fed
With less delight upon that other class
Of marvels, broad-day wonders permanent:
The River proudly bridged; the dizzy top
And Whispering Gallery of St. Paul’s; the tombs
Of Westminster; the Giants of Guildhall;
Bedlam, and those carved maniacs at the gates,
Perpetually recumbent; Statues—man,
And the horse under him—in gilded pomp
Adorning flowery gardens, ’mid vast squares;
The Monument, and that Chamber of the Tower
Where England’s sovereigns sit in long array,
Their steeds bestriding,—every mimic shape
Cased in the gleaming mail the monarch wore,
Whether for gorgeous tournament addressed,
Or life or death upon the battle-field.

   Rise up, thou monstrous ant-hill on the plain
Of a too busy world! Before me flow,
Thou endless stream of men and moving things!
Thy every-day appearance, as it strikes—
With wonder heightened, or sublimed by awe
On strangers, of all ages; the quick dance
Of colours, lights, and forms; the deafening din;
The comers and the goers face to face,
Face after face; the string of dazzling wares,
Shop after shop, with symbols, blazoned names,
And all the tradesman’s honours overhead:
Here, fronts of houses, like a title-page,
With letters huge inscribed from top to toe,
Stationed above the door, like guardian saints;
There, allegoric shapes, female or male,
Or physiognomies of real men,
Land-warriors, kings, or admirals of the sea,
Boyle, Shakespeare, Newton, or the attractive head
Of some quack-doctor, famous in his day.

Meanwhile the roar continues, till at length,
Escaped as from an enemy, we turn
Abruptly into some sequestered nook,
Still as a sheltered place when winds blow loud!
At leisure, thence, through tracts of thin resort,
And sights and sounds that come at intervals,
We take our way. A raree-show is here,
With children gathered round; another street
Presents a company of dancing dogs,
Or dromedary, with an antic pair
Of monkeys on his back; a minstrel band
Of Savoyards; or, single and alone,
An English ballad-singer. Private courts,
Gloomy as coffins, and unsightly lanes
Thrilled by some female vendor’s scream, belike
The very shrillest of all London cries,
May then entangle our impatient steps;
Conducted through those labyrinths, unawares,
To privileged regions and inviolate,
Where from their airy lodge studious lawyers
Look out on waters, walks, and gardens green.

(The location here is in part conjecture, but the last passage refers to the Inns of Court (probably the Temple Gardens) and the general description fits Fleet Street and the Strand.)

   Thence back into the throng, until we reach,
Following the tide that slackens by degrees,
Some half-frequented scene, where wider streets
Bring straggling breezes of suburban air.
Here files of ballads dangle from dead walls;
Advertisements, of giant-size, from high
Press forward, in all colours, on the sight;
These bold in conscious merit, lower down;
That, fronted with a most imposing word,
Is, peradventure, one in masquerade.
As on the broadening causeway we advance,
Behold, turned upwards, a face hard and strong
In lineaments, and red with over- toil.
Tis one encountered here and everywhere;
A travelling cripple, by the trunk cut short,
And stumping on his arms. In sailor’s garb
Another lies at length, beside a range
Of well-formed characters, with chalk inscribed
Upon the smooth flat stones: the Nurse is here,
The Bachelor, that loves to sun himself,
The military Idler, and the Dame,
That field-ward takes her walk with decent steps.

   Now homeward through the thickening hubbub, where
See, among less distinguishable shapes,
The begging scavenger, with hat in hand;
The Italian, as he thrids his way with care,
Steadying, far-seen, a frame of images
Upon his head; with basket at his breast
The Jew; the stately and slow-moving Turk,
With freight of slippers piled beneath his arm!

   Enough;—the mighty concourse I surveyed
With no unthinking mind, well pleased to note
Among the crowd all specimens of man,
Through all the colours which the sun bestows,
And every character of form and face:
The Swede, the Russian; from the genial south,
The Frenchman and the Spaniard; from remote
America, the Hunter-Indian; Moors,
Malays, Lascars, the Tartar, the Chinese,
And Negro Ladies in white muslin gowns.

(Again, some conjecture here, but the tradesmen Wordsworth describes operated near the Royal Exchange (this precise slipper-selling Turk is described as doing so in Modern London, which depicts him) and the mixing of races within the city is commonly depicted in prints of the Exchange.)

   [Add] to these exhibitions, mute and still,
Others of wider scope, where living men,
Music, and shifting pantomimic scenes,
Diversified the allurement. Need I fear
To mention by its name, as in degree,
Lowest of these and humblest in attempt,
Yet richly graced with honours of her own,
Half-rural Sadler’s Wells? Though at that time
Intolerant, as is the way of youth
Unless itself be pleased, here more than once
Taking my seat, I saw (nor blush to add,
With ample recompense) giants and dwarfs,
Clowns, conjurers, posture -masters, harlequins,
Amid the uproar of the rabblement,
Perform their feats. Nor was it mean delight
To watch crude Nature work in untaught minds;
To note the laws and progress of belief;
Though obstinate on this way, yet on that
How willingly we travel, and how far!
To have, for instance, brought upon the scene
The champion, Jack the Giant-killer: Lo!
He dons his coat of darkness; on the stage
Walks, and achieves his wonders, from the eye
Of living Mortal covert, “as the moon
Hid in her vacant interlunar cave.”
Delusion bold! and how can it be wrought?
The garb he wears is black as death, the word
“Invisible” flames forth upon his chest.

   Here, too, were “forms and pressures of the time,”
Rough, bold, as Grecian comedy displayed
When Art was young; dramas of living men,
And recent things yet warm with life; a sea-fight,
Shipwreck, or some domestic incident
Divulged by Truth and magnified by Fame,
Such as the daring brotherhood of late
Set forth, too serious theme for that light place—
I mean, O distant Friend! a story drawn
From our own ground,—The Maid of Buttermere,
And how, unfaithful to a virtuous wife,
Deserted and deceived, the spoiler came
And wooed the artless daughter of the hills,
And wedded her, in cruel mockery
Of love and marriage bonds.

                                      Those simple days
Are now my theme: and, foremost of the scenes
Which yet survive in memory, appears
One, at whose centre sate a lonely Boy,
A sportive infant, who, for six months’ space,
Not more, had been of age to deal about
Articulate prattle—Child as beautiful
As ever clung around a mother’s neck,
Or father fondly gazed upon with pride.
There, too, conspicuous for stature tall
And large dark eyes, beside her infant stood
The mother; but, upon her cheeks diffused,
False tints too well accorded with the glare
From play-house lustres thrown without reserve
On every object near. The Boy had been
The pride and pleasure of all lookers-on
In whatsoever place, but seemed in this
A sort of alien scattered from the clouds.
Of lusty vigour, more than infantine
He was in limb, in cheek a summer rose
Just three parts blown—a cottage-child—if e’er,
By cottage-door on breezy mountain side,
Or in some sheltering vale, was seen a babe
By Nature’s gifts so favoured. Upon a board
Decked with refreshments had this child been placed,
His little stage in the vast theatre,
And there he sate surrounded with a throng
Of chance spectators, chiefly dissolute men
And shameless women, treated and caressed;
Ate, drank, and with the fruit and glasses played,
While oaths and laughter and indecent speech
Were rife about him as the songs of birds
Contending after showers. The mother now
Is fading out of memory, but I see
The lovely Boy as I beheld him then
Among the wretched and the falsely gay,
Like one of those who walked with hair unsinged
Amid the fiery furnace. Charms and spells
Muttered on black and spiteful instigation
Have stopped, as some believe, the kindliest growths.
Ah, with how different spirit might a prayer
Have been preferred, that this fair creature, checked
By special privilege of Nature’s love,
Should in his childhood be detained forever!
But with its universal freight the tide
Hath rolled along, and this bright innocent,
Mary! may now have lived till he could look
With envy on thy nameless babe that sleeps,
Beside the mountain chapel, undisturbed.

   But let me now, less moved, in order take
Our argument. Enough is said to show
How casual incidents of real life,
Observed where pastime only had been sought,
Outweighed, or put to flight, the set events
And measured passions of the stage, albeit
By Siddons trod in the fulness of her power.
Yet was the theatre my dear delight;
The very gilding, lamps and painted scrolls,
And all the mean upholstery of the place,
Wanted not animation, when the tide
Of pleasure ebbed but to return as fast
With the ever-shifting figures of the scene,
Solemn or gay: whether some beauteous dame,
Advanced in radiance through a deep recess
Of thick entangled forest, like the moon
Opening the clouds; or sovereign king, announced
With flourishing trumpet, came in full-blown state
Of the world’s greatness, winding round with train
Of courtiers, banners, and a length of guards;
Or captive led in abject weeds, and jingling
His slender manacles; or romping girl,
Bounced, leapt, and pawed the air; or mumbling sire,
A scare-crow pattern of old age dressed up
In all the tatters of infirmity
All loosely put together, hobbled in,
Stumping upon a cane with which he smites,
From time to time, the solid boards, and makes them
Prate somewhat loudly of the whereabout
Of one so overloaded with his years.
But what of this! the laugh, the grin, grimace,
The antics striving to outstrip each other,
Were all received, the least of them not lost,
With an unmeasured welcome. Through the night,
Between the show, and many-headed mass
Of the spectators, and each several nook
Filled with its fray or brawl, how eagerly
And with what flashes, as it were, the mind
Turned this way—that way! sportive and alert
And watchful, as a kitten when at play,
While winds are eddying round her, among straws
And rustling leaves. Enchanting age and sweet!
Romantic almost, looked at through a space,
How small, of intervening years! For then,
Though surely no mean progress had been made
In meditations holy and sublime,
Yet something of a girlish child-like gloss
Of novelty survived for scenes like these;
Enjoyment haply handed down from times
When at a country-playhouse, some rude barn
Tricked out for that proud use, if I perchance
Caught, on a summer evening through a chink
In the old wall, an unexpected glimpse
Of daylight, the bare thought of where I was
Gladdened me more than if I had been led
Into a dazzling cavern of romance,
Crowded with Genii busy among works
Not to be looked at by the common sun.

   The matter that detains us now may seem
To many, neither dignified enough
Nor arduous, yet will not be scorned by them
Who, looking inward, have observed the ties
That bind the perishable hours of life
Each to the other, and the curious props
By which the world of memory and thought
Exists and is sustained. More lofty themes,
Such as at least do wear a prouder face,
Solicit our regard; but when I think
Of these, I feel the imaginative power
Languish within me; even then it slept,
When, pressed by tragic sufferings, the heart
Was more than full; amid my sobs and tears
It slept, even in the pregnant season of youth.
For though I was most passionately moved
And yielded to all changes of the scene
With an obsequious promptness, yet the storm
Passed not beyond the suburbs of the mind;
Save when realities of act and mien,
The incarnation of the spirits that move
In harmony amid the Poet’s world,
Rose to ideal grandeur, or called forth
By power of contrast, made me recognise,
As at a glance, the things which I had shaped,
And yet not shaped, had seen and scarcely seen,
When, having closed the mighty Shakespeare’s page,
I mused, and thought, and felt, in solitude.

   Pass we from entertainments, that are such
Professedly, to others titled higher,
Yet, in the estimate of youth at least,
More near akin to those than names imply,—
I mean the brawls of lawyers in their courts
Before the ermined judge, or that great stage
Where senators, tongue-favoured men, perform,
Admired and envied. Oh! the beating heart,
When one among the prime of these rose up,—
One, of whose name from childhood we had heard
Familiarly, a household term, like those,
The Bedfords, Glosters, Salsburys, of old
Whom the fifth Harry talks of. Silence! hush!
This is no trifler, no short-flighted wit,
No stammerer of a minute, painfully
Delivered. No! the Orator hath yoked
The Hours, like young Aurora, to his car:
Thrice welcome Presence! how can patience e’er
Grow weary of attending on a track
That kindles with such glory! All are charmed,
Astonished; like a hero in romance,
He winds away his never-ending horn;
Words follow words, sense seems to follow sense:
What memory and what logic! till the strain
Transcendent, superhuman as it seemed,
Grows tedious even in a young man’s ear.

   Genius of Burke! forgive the pen seduced
By specious wonders, and too slow to tell
Of what the ingenuous, what bewildered men,
Beginning to mistrust their boastful guides,
And wise men, willing to grow wiser, caught,
Rapt auditors! from thy most eloquent tongue—
Now mute, forever mute in the cold grave.
I see him,—old, but vigorous in age,—
Stand like an oak whose stag-horn branches start
Out of its leafy brow, the more to awe
The younger brethren of the grove. But some
While he forewarns, denounces, launches forth,
Against all systems built on abstract rights,
Keen ridicule; the majesty proclaims
Of Institutes and Laws, hallowed by time;
Declares the vital power of social ties
Endeared by Custom; and with high disdain,
Exploding upstart Theory, insists
Upon the allegiance to which men are born—
Some—say at once a froward multitude—
Murmur (for truth is hated, where not loved)
As the winds fret within the Æolian cave,
Galled by their monarch’s chain. The times were big
With ominous change, which, night by night, provoked
Keen struggles, and black clouds of passion raised;
But memorable moments intervened,
When Wisdom, like the Goddess from Jove’s brain,
Broke forth in armour of resplendent words,
Startling the Synod. Could a youth, and one
In ancient story versed, whose breast had heaved
Under the weight of classic eloquence,
Sit, see, and hear, unthankful, uninspired?

   Nor did the Pulpit’s oratory fail
To achieve its higher triumph. Not unfelt
Were its admonishments, nor lightly heard
The awful truths delivered thence by tongues
Endowed by various power to search the soul;
Yet ostentation, domineering, oft
Poured forth harangues, how sadly out of place!—
There have I seen a comely bachelor,
Fresh from a toilette of two hours, ascend
His rostrum, with seraphic glance look up,
And, in a tone elaborately low
Beginning, lead his voice through many a maze
A minuet course; and, winding up his mouth,
From time to time, into an orifice
Most delicate, a lurking eyelet, small,
And only not invisible, again
Open it out, diffusing thence a smile
Of rapt irradiation, exquisite.
Meanwhile the Evangelists, Isaiah, Job,
Moses, and he who penned, the other day,
The death of Abel, Shakespeare, and the Bard
Whose genius spangled o’er a gloomy theme
With fancies thick as his inspiring stars,
And Ossian (doubt not ’tis the naked truth)
Summoned from streamy Morven—each and all
Would, in their turns, lend ornaments and flowers
To entwine the crook of eloquence that helped
This pretty Shepherd, pride of all the plains,
To rule and guide his captivated flock.

(Currently a very speculative placement.)

                                         What say you, then,
To times, when half the city shall break out
Full of one passion, vengeance, rage, or fear?
To executions, to a street on fire,
Mobs, riots, or rejoicings? From these sights
Take one,—that ancient festival, the Fair,
Holden where martyrs suffered in past time,
And named of St. Bartholomew; there, see
A work completed to our hands, that lays,
If any spectacle on earth can do,
The whole creative powers of man asleep!
For once, the Muse’s help will we implore,
And she shall lodge us, wafted on her wings,
Above the press and danger of the crowd,
Upon some showman’s platform. What a shock
For eyes and ears! what anarchy and din,
Barbarian and infernal,—a phantasma,
Monstrous in colour, motion, shape, sight, sound!
Below, the open space, through every nook
Of the wide area, twinkles, is alive
With heads; the midway region, and above,
Is thronged with staring pictures and huge scrolls,
Dumb proclamations of the Prodigies;
With chattering monkeys dangling from their poles,
And children whirling in their roundabouts;
With those that stretch the neck and strain the eyes,
And crack the voice in rivalship, the crowd
Inviting; with buffoons against buffoons
Grimacing, writhing, screaming,—him who grinds
The hurdy-gurdy, at the fiddle weaves,
Rattles the salt-box, thumps the kettle-drum,
And him who at the trumpet puffs his cheeks,
The silver-collared Negro with his timbrel,
Equestrians, tumblers, women, girls, and boys,
Blue-breeched, pink-vested, with high towering plumes.—
All movables of wonder, from all parts,
Are here Albinos, painted Indians, Dwarfs,
The Horse of knowledge, and the learned Pig,
The Stone-eater, the man that swallows fire,
Giants, ventriloquists, the Invisible Girl,
The Bust that speaks and moves its goggling eyes,
The Wax-work, Clock-work, all the marvellous craft
Of modern Merlins, Wild Beasts, Puppet-shows
All out-o’-the-way, far-fetched, perverted things,
All freaks of nature, all Promethean thoughts
Of man, his dulness, madness, and their feats
All jumbled up together, to compose
A Parliament of Monsters. Tents and Booths
Meanwhile, as if the whole were one vast mill,
Are vomiting, receiving on all sides,
Men, Women, three-years’ children, Babes in arms.